In 1924, construction began on the Mizpah Shrine Temple, promising to
provide Northeast Indiana with a much-needed community meeting place to
host speakers and theatrical productions as well as banquet facilities.
The auditorium sat over 2,400 patrons, while the Banquet Hall could seat
over 2,000. The auditorium was to be given to the public for use, with the
Shriners requiring it for only four or five days a year. The Chamber of
Commerce had this to say about the construction of the Temple; "For
years, the people of Fort Wayne have felt keenly the necessity and urgent
need of an auditorium in this city with sufficient capacity to accommodate
conventions, where great statesmen and orators might speak to a worthwhile
audience; where exhibitions of all kinds might be held - in general, a
community house for gatherings of every conceivable kind."
Well-known local architect and Shriner, Guy Mahurin, was chosen as
architect for the project, with Max Irmscher & Sons as the
contractor. "To me, as the architect, the construction of the new Mizpah Shrine temple is the creation of a structure of artistic designs
that will serve as a community building for the civic interests of Fort
Wayne and northern Indiana." Construction began in April 1924, using
about 200 workers. Local labor was employed as much as possible in the
project. The excavation of the Ballroom took two steam shovels
and six weeks to complete. More than 350,000 bricks were used in the
construction with hundreds of barrels of cement mixed with gravel and
water. The building was said to be the most "fire-proof"
structure in the city at the time.
The façade of the building was designed to "throw about the
beholder an atmosphere of the orient and yet give it a logical setting in
the midst of a modern American city." Moorish decoration completed
the interior as well, with subdued oriental colors, thick, soft carpet,
and comfort-giving chairs. Construction costs cost over one million
dollars.
On November 18, 1925, the Mizpah Shrine celebrated the grand opening
with their ceremonial and grand ball. The first public event that weekend
was a performance of "Aida," performed by the Chicago Grand
Opera Company. Many premier events followed that grand opening weekend,
including "Ziegfield Follies" with Fannie Bryce and a young Eve
Arden, Mae West in her controversial play "Sex," Ethel Barrymore
in "Scarlet Sister Mary" and "The Love Duel,"
"George White's 'Scandals'," and the "Earl Carroll
Vanities."
In 1937, during the Depression, the Mizpah Shrine lost the temple into
receivership (though they retained their current property located east of
the Scottish Rite Center.) The city contemplated purchasing the Auditorium
for municipal use, but in the end, Kaplan Realty bought it at a reported
cost of only $52,500. The city continued to use it as a community center,
housing the Fort Wayne Philharmonic and other civic events. In 1941, then
Mayor Harry Baals helped stave off a Kaplan proposal to rip out the main
floor seats and convert it into a bowling alley. Kaplan was losing money
on the building but felt a recreation center would be more profitable.
Local music groups that utilized the auditorium fought against Kaplan's
plan and won. Also in the 30's and 40's, the Ballroom was used as an
indoor golf course. Army recruiting offices were also housed in the
facility for a time.
In 1945, the Quimby Theater chain leased the Auditorium for a 20-year
time period at a reported $380,000. The Quimbys also operated the Paramount,
Palace, Jefferson and Emboyd (now the Embassy) theatres in Fort Wayne.
Stage productions were brought to the Shrine Auditorium, then changed to
Quimby Auditorium. During the Quimby Auditorium days, many productions and
performers were brought to the stage, including Victor Borge, Duke
Ellington, Judith Evelyn in "A Streetcar Named Desire," Tallulah
Bankhead and Donald Cook in "Private Lives," and Janet Blair in
"South Pacific." The Quimbys also used the Auditorium to show
many of the popular movies made in the era, such as Laurence Olivier's
"Hamlet," and "The Mikado." It had, at one point, been
rumored that the Quimbys would discontinue use of the Auditorium for stage
shows and musical presentations and become only a movie house. Many of the
locals, once again, fought this proposition and the Quimby Auditorium
remained available for use by community arts programs. The Auditorium was
home to the Shrine Circus until the Allen County War Memorial Coliseum was
built in 1952.

The Valencia Ballroom was utilized as a banquet and dance hall,
welcoming some of the nation's name bands, as well as giving a start to
local bands. Clifton Humphrey, a former and original member of the local
band "The Bel-Aires," says that their first professional gig was
in the Valencia Ballroom for a Sunday night dance back in 1950.
In 1953, the Scottish Rite purchased the Auditorium and Ballroom from
KMK Realty Co., and purchased the remainder of the Quimby lease. The
original Scottish Rite Cathedral was located on Washington and Clinton
streets, but was torn down over ten years after the Scottish Rite moved to
the current facility. In 1958, a large renovation (and the last major
renovation prior to current efforts) was conducted, which included
updating the Valencia Ballroom, kitchen, sound system, new auditorium
curtains, installation of a Wurlitzer concert organ and painting the
Horseshoe Lobby.
The Scottish Rite utilized the facility for their Masonic events and
the Auditorium was still available for use by community organizations.
Local sorority Psi Iota Xi was one of the many groups that promoted stage
productions in the 60's and 70's. Stage productions included well-known
performers such as Imogene Coca, Betty Grable, Marcel Marceau, Ann
Reinking, Eileen Brennan, Robert Burr, George Jones and Tammy Wynette,
Bill Anderson and Peter Nero.
In 1963, a large structure was added to the facility (corner of Berry
and Fairfield), originally called the Scottish Rite Cathedral (the word
'Cathedral' has been dropped.) The structure now houses the Scottish Rite's
administrative offices, the Gentlemen's Lounge, the Lodge room, Dining
Room and the Learning Center for children with dyslexia.
Starting in the 1970's, the popularity of the Scottish Rite Auditorium
and Ballroom started to decline. The Embassy Theatre was being
revitalized, the Performing Arts Center was built in 1973, and the Allen
County Memorial Coliseum was in full swing. Through the 1980's and 90's,
fewer and fewer events were held in the facility. Lack of marketing and
an event staff prevented the Auditorium's ability to continue as a popular
community center and meeting place.
In the late 90's, many Scottish Rite leaders
decided to undertake another multi-million dollar renovation to update the
facility. In 1999, an event staff was formed to begin marketing the
facility and focusing on Non-Masonic events. Today the
Scottish Rite Center hosts many types of events. To date, the 431 Foundation, formed to raise the funds and
oversee the renovations, has collected over $1.5 million of the needed
$3.1 million to complete all of the renovation projects. Renovation work
is being done one project at a time until the rest of the renovation money
can be raised.
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